The Luba Empire was a pre-colonial Central African state, which was founded by King Kongolo Maniema, c. 1585. The Hemba people were incorporated because they started to migrate into Luba territory at the beginning of the Empire. In addition to being artistically influenced by the Luba, the Hemba endured kidnappings by Arab raiders for the transatlantic slave trade.
The Luba government lasted until 1885, when King Leopold II of Belgium acquired the land as his personal property. Henry Morton Stanley discovered a river network connecting East and West Africa.
Under the direction of King Leopold II, Stanley used his map to bring Belgian soldiers to African Chiefs. False treaties tricked them into signing over their power and land to the King, who then proclaimed the Congo Free State, the first European colony owned by only one man.
First, Leopold wanted ivory. Mangbetu slaves, who lived north of the Luba and Hemba, made ivory objects so the Belgians could get cash to pay taxes. Ivory objects were also made for Herbert Lang and James P. Chapin from 1909 – 1915. Lang and Chapin brought them to the American Museum of Natural History. The Mangbetu people were known for “Lipombo,” the art of elongating heads, as one of the ivory combs show.
In 1898, the Goodyear factory in Akron, Ohio, made the first inflatable bicycle tire. In 1903, they started making car tires for Henry Ford. No one had more rubber than Leopold, for vines overflowing with sap grew wild in the Congo’s rain forest.
Forty years after the Emancipation Proclamation and Gettysburg Address (1863), Belgian conscripts took women hostage; raped and starved them; and made their husbands meet immense quotas for collecting rubber to secure their release, so the Goodyear factory in Ohio could pay Leopold immense sums of money.
An iconic photograph of the time was of Nsala, who lived the district of Wala, looking at the severed hand and foot of his five-year-old daughter, a victim of the Anglo-Belgian India Rubber Company militia.
The Mangbetu were also featured prominently in early photographs distributed to show Europeans how well people were doing under Leopold’s rule. I include one of James P. Chapin and an unknown child.
They were shot against false backgrounds and made into propaganda postcards to sell the mass quantities of ivory and rubber brought in on Belgian cargo ships. They also hid the fact that Leopold had turned the entire country into a slave labor camp, which killed 10,000,000 people.
Joseph Conrad documented the brutality of slave labor in the Congo Free State, and explored what allows man to commit undiluted evil in “Heart of Darkness.” (As an aside, the movie “Apocalypse Now” was a modern interpretation of Conrad’s book.)
Leopold’s treatment of slaves and prisoners was so brutal, rebellions, journalism, and a letter from George Washington Williams forced him to give up private ownership of the colony.
In 1908, the land was renamed the Belgian Congo. By 1920, two-thirds of the population had died. In 1960, the country gained independence and became known as the Democratic Republic of Congo.
From the African collection of The Creative Museum we show Hemba comb images, a Hemba artist made this comb before 1960. It shows a man, either prisoner or slave, being held naked, with his hands tied behind his back and whip marks on his chest. It is an artifact of Leopold’s heart of darkness, his crimes against humanity.
In the 1970’s, the Hemba artists were able to express their strongly held beliefs in ancestor worship and fertility, traditional themes of African comb making.
And in this final, beautiful example, a Hemba couple embraces — at last.