Ineke’s Tuareg Jewelry by Barbara Steinberg Photography by Ineke Hemminga

Ineke’s Tuareg Jewelry  by Barbara Steinberg   Photography by Ineke Hemminga

The title sounds mundane enough, a rose by any other name, but don’t be fooled. Rarely do people evolve their identity and live the connection between Europe and Africa.

Adopted by the Inaden, the artisan-silversmith caste of the Tuareg, Ineke travels the Sahara trying to save the Tuareg’s nomadic lifestyle from extinction against the collateral damage of colonialism, climate change, and war. The Inaden express their culture in exquisite pieces of jewelry, which you can buy from their hands to yours, because she made life choices very few of us would have the courage to make.

“It is like I stepped from my Dutch past into another time. I experience Tuareg culture from within, a pure acceptance of them from the depths of their nomadic souls. Don’t ask me how I know.”

The Tuareg homeland dates back to the 4th Century, when their queen, Tin Hinan united all the tribes to form one culture. It covered the semi-arid Sahel and arid Sahara. They call themselves “Imuhagh,” meaning freemen. Tuareg pastoral nomads in indigo-blue veils traveled freely to graze and water their cattle, goats, sheep, and camels. There was no concept of a national border to impede them. Those who owned herds belonged to the noble caste and were also known as trans-Saharan traders and warriors.

Nomad souls need adventure — to move when they choose, to discover untouched places, to pass from one landscape to another. With a new journey every three days, their animals and tents are always clean. No need for brooms, no refuse that does not biodegrade, and the grazed land gets a chance to grow back again.

In the 19th Century, the French carved out Mali (1890), Burkina Faso (1896), Algeria (1832), and the Colonie du Niger (1922) until those countries achieved independence (1959-1962). Libya was colonized by the Italians (1911) until it gained independence in 1947. After this process, the ancient Tuareg homeland ended up seeping into all five countries.

To the Tuareg, these borders were artificial, filled with corruption, and threatening. Mali’s reform policies gave them less land to roam, and they felt left out of the government. Also, desertification, most notably a drought in the Sahel from 1968-1974, killed many. Ineke adds, “Many of the water sources and pastures they needed for cattle breeding got fenced off by absentee landlords, impoverishing some Tuareg communities.”

Rebellions in the 1960s, 1980s, and 1990s, especially in Mali and Niger, continue today. Ineke says, “I think they have the best situation in Algeria. The government even makes wells for them near the ‘villages.’ Algeria is a rich country, and they promote their music. They appreciate them.”

But ‘villages’ means many of the noble caste were forced to settle. They had to learn how to clean their homes and prevent disease in sedentary animals because their nomadic souls had nowhere to go anymore. It is hard to overestimate the radical and painful reorganization of desert society that took place in the 20th Century.

However, unlike the noble caste, the Inaden’s silversmithing traditions found a market. There is still superstitious magic attached to raw metal, as fire transforms it into adornment that is connected to an ancient animist religion. Also, instead of bartering in the Tuareg traditional economy, the Inaden now take cash. This means that a Khomeissa pendant, associated with fertility and protection, could be bought by a tourist, instead of only being made for a married woman. Tuareg designs even made it to Hermès.

Ineke recently brought her Saharan jewelry to an exhibition at the Castle Gronsveld in Holland. “I feel like a polar bear wanting to hibernate because of the cold. It doesn’t work for me. I will be very happy to go back to the desert next Thursday, where a new part of the adventure begins.”